Charles Esten discusses how his experience as a star on the television show "Nashville" influenced the creation of his first album. While every artist's path is unique, Esten's journey stands out in the world of country music and beyond.
"Isn't it true? It has been a long journey," the singer humorously remarks in an interview with Taste of Country, discussing his new album Love Ain't Pretty. This album, which is set to be released on Friday, January 26th, comes over thirty years after the start of Esten's career.
Starting from his initial involvement in the entertainment industry in 1988, which was a guest appearance on a game show called Sale of the Century, Esten managed to secure over $32,000 worth of prizes. Following that, he went on to play the prominent role of Deacon Claybourne on the popular country-themed TV series Nashville. Additionally, he achieved the impressive feat of releasing 54 singles in 54 consecutive weeks, earning himself a place in the Guinness World Records. Esten has undoubtedly dedicated a significant amount of time and effort, equivalent to approximately 10,000 hours, which is around 30 times the recommended
There are certainly drawbacks to releasing your first album at a later stage in life, as is the case for Esten who is 58 years old. He understands that Love Ain't Pretty may not have a significant impact on radio like other debut albums. However, he recognizes the worth of having a unique background and identity that no one else can replicate. No other artist has the advantage of incorporating a character like Deacon Claybourne into their own musical persona. Additionally, no one else has experienced the fictional rise to country music fame and then achieved it again in their real life off-screen.
Esten expresses that he gained valuable knowledge not only from the character Deacon, but also from the fans of the show who reached out to him. Throughout the series, viewers reached out to Esten to express how much solace they found in the complex and enduring character of Deacon.
The individuals wanted to express to me that going through difficult life experiences or witnessing their parents' hardships had a profound impact on them. They believed that there was something therapeutic about going through those struggles alongside someone else. This realization made me understand the importance of infusing meaning and connection into my own music. I recognized that my music should have a purpose of aiding and healing others.
Esten frequently mentions the term "through line" when discussing Love Ain't Pretty, and there's a valid reason for it: He put in a lot of effort to ensure that the project is a unified artistic expression that truly represents who he is as an artist. This began by giving importance to the emotional depth and substance, which he learned from Deacon and his fans. It also involved co-writing all 13 tracks on the album and combining a foundation of authentic country music with his playful inclination towards rock 'n' roll, which he humorously refers to as going "full Springsteen."
Esten acknowledges producer Marshall Altman and the talented musicians recruited by Altman for their skillful focus on his artistic vision. The COVID-19 pandemic also played a role in shaping this vision. Just before the initial lockdowns were implemented, Esten had begun working on an album, but unfortunately, it had to be put on hold. As soon as restrictions were lifted, Esten eagerly resumed his work, and his purpose and direction for his first album became even more defined.
When asked about the purpose behind their mission, the singer expressed that COVID has served as a powerful reminder of the harsh realities of life. They believe that life can be challenging and even brutal at times, but it can also possess immense beauty. The singer further explains that love plays a significant role in this concept. The pain experienced from losing a relationship or a loved one is a testament to the deep affection and attachment felt towards them. This is what makes the pain so intense, but it is also what makes love so incredibly beautiful.
The album gained more popularity as songs such as "Down the Road" and "A Little Right Now" were released, which, according to Esten, helped develop the album's main idea. However, even though he had a general sense of what he wanted the album to convey, he struggled to find the precise words to capture the essence of Love Ain't Pretty until he wrote the title song, which he added as the final track.
After completing the song, Esten recalls the moment when he, Altman, and songwriter Jimmy Yeary were in the room. Before leaving, Esten expressed, "This is going to be the title and the first song of the album." He reflected on how the song encapsulated the album's theme, emphasizing that love may not always be pleasant, but it is still inherently beautiful.
Once he finished writing the words, he immediately realized that he had successfully conveyed the message. This unwavering self-assurance, developed over many years of dedication and effort, is another significant factor that adds worth to Esten's journey towards his first album.
I want to mention another aspect of waiting for a long time. Back when I was in college, I took a job in the construction industry. Specifically, I worked as a helper for a carpenter. As part of my job, I acquired a toolbox which I was extremely proud of. It contained various tools such as a hammer, screwdrivers, and a drill. What made me particularly proud was the fact that all these tools appeared brand new and unused.
"When I arrived, I noticed a group of carpenters who had worn-out tools, and surprisingly, I felt a sense of admiration towards them," he adds with a laugh. "In contrast, my tools appeared pristine and untouched. They jokingly exclaimed, 'This guy has never even held a hammer before.' However, the advantage of aging is that when I look at my toolbox now, it no longer appears brand new. I have used that hammer countless times, if you understand what I'm saying."
20 country musicians who reached their highest level of success with their debut album. Credit for the gallery goes to Billy Dukes.
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